主辦單位 SPONSORS

中國(guó)美術(shù)家協(xié)會(huì)

中共深圳市委宣傳部

深圳市文學(xué)藝術(shù)界聯(lián)合會(huì)

中共深圳市龍崗區(qū)委、龍崗區(qū)人民政府  

CHINA ARTISTS ASSOCIATION

CPC PUBLICITY DEPARTMENT OFSHENZHEN MUNICIPAL PARTY COMMITTEE

SHENZHEN FEDERATION OF LITERARY AND ART CIRCLES

CPC SHENZHEN LONGGANG DISTRICT COMMITTEE, PEOPLE'S GOVERNMENT OF LONGGANG DISTRICT

承辦單位 ORGANIZERS

中國(guó)文聯(lián)美術(shù)藝術(shù)中心

深圳市美術(shù)家協(xié)會(huì)

深圳市龍崗區(qū)文化廣電旅游體育局

深圳市龍崗區(qū)布吉街道辦事處 

FINE ARTS CENTER OF CHINA FEDERATION OF LITERARY AND ART CIRCLES

SHENZHEN ARTISTS ASSOCIATION

LONGGANG DISTRICT CULTURE, RADIO, TELEVISION, TOURISM AND SPORTS BUREAU, SHENZHEN

BUJI SUB-DISTRICT OFFICE OF LONGGANG DISTRICT, SHENZHEN

協(xié)辦單位 CO-ORGANIZER

深圳市大芬美術(shù)館

DAFEN ART MUSEUM, SHENZHEN

展覽時(shí)間｜2022年12月28日—2023年1月29日

EXHIBITION DATE | DECEMBER 28TH, 2022 — JANUARY 29TH, 2023

展覽地點(diǎn)｜深圳市紅立方公共藝術(shù)與城市規(guī)劃館B1層

EXHIBITION VENUE｜RED CUBE PUBLIC ART MUSEUM B1 FLOOR ,SHENZHEN

序

深圳大芬國(guó)際油畫雙年展，經(jīng)歷幾度寒暑春秋，這一藝術(shù)盛事悄然來(lái)到了第三屆，傾情向世人展現(xiàn)著深圳自由包容、發(fā)展進(jìn)步的高雅氣質(zhì)。深圳大芬國(guó)際油畫雙年展不僅是眾多藝術(shù)家競(jìng)相參與的全方位展示，也和這座城市發(fā)生著親密互聯(lián)，映襯了一個(gè)城市意趣、文明、發(fā)展的深厚底蘊(yùn)，以及這座城市的參與度與開放性。

伴隨大數(shù)據(jù)時(shí)代的城市迭代，雙年展在表現(xiàn)城市質(zhì)感、競(jìng)演城市文化軟實(shí)力、普及民生公共藝術(shù)教育，在熔煉城市文化品牌和城市轉(zhuǎn)型等，發(fā)揮著越來(lái)越大的價(jià)值，給城市文化生態(tài)輸入了新鮮血液，已然成為國(guó)際化城市靚麗的藝術(shù)符號(hào)。

自1895年意大利威尼斯市舉辦首屆視覺藝術(shù)雙年展至今，雙年展模式逐漸獲得了國(guó)際認(rèn)可。雙年展是一個(gè)城市的節(jié)慶，雙年展彰顯著這座城市，城市張掛著雙年展，雙年展不斷用藝術(shù)能量為城市賦能。從國(guó)際雙年展的運(yùn)行來(lái)看，當(dāng)城市擁有屬于自身的雙年展，將進(jìn)入全球藝術(shù)行游的目錄，持續(xù)拉動(dòng)城市的國(guó)際聲譽(yù)和藝術(shù)市場(chǎng)，雙年展成為城市魅力四射的藝術(shù)品牌。

除了側(cè)重學(xué)術(shù)性以外，深圳大芬模式另外一個(gè)重要的特征則是文化的兼容性與務(wù)實(shí)性，觀者能夠享有自由的時(shí)空在深圳大芬享受藝術(shù)的饕餮。在紛擾的疫情之下，仍然可以領(lǐng)略國(guó)際藝壇油畫創(chuàng)作的最新樣貌、當(dāng)代性的盡情詮釋，文化景觀、油畫潮流與社會(huì)發(fā)展強(qiáng)力滲透、互聯(lián)互通。

深圳一直是一個(gè)活躍的文化生態(tài)，自由舒展地調(diào)整屬于自身的藝術(shù)定位，在不斷迎來(lái)變革大潮的過程中，持續(xù)輸出著蘊(yùn)含的強(qiáng)大藝術(shù)能量，宛若一個(gè)藝術(shù)場(chǎng)域，在吸引著觀者之時(shí)，也反過來(lái)塑造著這座城市的質(zhì)感。深圳大芬國(guó)際油畫雙年展成為深圳當(dāng)代藝術(shù)的互聯(lián)、發(fā)展的蓄水池，將雙年展延伸到城市藝術(shù)文化的互融、提升。

2022第三屆深圳大芬國(guó)際油畫雙年展逐漸探索出了一條契合自身的運(yùn)作向度，在“互聯(lián)與發(fā)展”這一時(shí)代主題之下，城市助推藝術(shù)多元發(fā)展、展館提高公共藝術(shù)服務(wù)水平、展覽按專業(yè)模式鋪陳開展，與人文情懷、城市生活與藝術(shù)生態(tài)交融糾合，有力彰顯了時(shí)代主題，使得本次油畫雙年展成為喜聞樂見的盛典，是當(dāng)代藝術(shù)創(chuàng)造與城市文化特色的集中展映，以其體量和內(nèi)涵，構(gòu)筑了寬闊的國(guó)際藝術(shù)交流平臺(tái)，展現(xiàn)了深圳面向世界的文化襟懷。

城市迭代不僅在設(shè)施，更在于更新理念與模式。深圳大芬通過雙年展讓藝術(shù)介入、融入城市，構(gòu)筑城市景觀，是油畫藝術(shù)媒介語(yǔ)言、觀念形態(tài)的互聯(lián)，是藝術(shù)創(chuàng)新與城市發(fā)展的融通，是藝術(shù)現(xiàn)場(chǎng)與公眾參與的融洽，雙年展的主題與深圳大芬的城市更新深深契合。

作為國(guó)際性的藝術(shù)展覽，深圳的藝術(shù)土壤與精神氣質(zhì)影響著雙年展的主題、框架；而深圳大芬國(guó)際油畫雙年展穩(wěn)定、高質(zhì)量地舉辦，必將為深圳城市面貌的改觀、影響力的輻射，以及文化效益的提高薈聚積極影響，有望發(fā)展為國(guó)際藝術(shù)與文化的聚光之地。雙年展用油畫作品助力大灣區(qū)文化圈建設(shè)、深化大灣區(qū)與國(guó)際美術(shù)交流與合作，以當(dāng)代油畫的力量實(shí)現(xiàn)大灣區(qū)乃至世界城市文化的互聯(lián)與發(fā)展。

2022第三屆深圳大芬國(guó)際油畫雙年展“互聯(lián)與發(fā)展”的藝術(shù)理念，打破藝術(shù)界隔、跨界融合，構(gòu)筑了廣闊的國(guó)際藝術(shù)交流平臺(tái)，以深圳文化為根脈，發(fā)揮灣區(qū)地域相近的優(yōu)勢(shì)，在新時(shí)期凝聚藝術(shù)共識(shí)，用當(dāng)代油畫藝術(shù)講述中國(guó)與世界的精彩故事。

深圳有著天然的當(dāng)代藝術(shù)積蘊(yùn)，對(duì)當(dāng)代藝術(shù)品格有著如夸父逐日般的不舍追求，本次油畫雙年展代表了深圳的藝術(shù)眼界與人文情懷，深圳氣質(zhì)的雙年展正在中國(guó)乃至國(guó)際藝術(shù)舞臺(tái)孕育成熟！

Foreword

Dafen International Oil Painting Biennale, a great event celebrated in the art circle, is going to take place in Shenzhen in 2022 for the third time, once again to show the world the elegant and gorgeous image of Shenzhen — freedom, inclusiveness, development and progress. Dafen Biennale is not only an all-dimensional exhibition presented by artists, but also a window for people to have intimate connection with the city and for embracing its profound and entertaining culture, civilization and development, as well as its opening attitude for extensive recognition.

With the everlasting urban iteration and redevelopment in the era of big data, a biennale is playing an increasingly important role as a showcase of a city’s excellent qualities, including the soft power of the urban culture, the education and dissemination of art among the public, the brand building and civilization advancement, and the transformation of urban development. Full of vigor and energy, a biennale has become a spectacular artistic symbol of this international city by injecting fresh blood into its urban cultural ecology.

Since the first Venice Biennale held in Italy in 1895, the form of biennale exhibition has gradually gained international recognition. As the festival activity of a city, biennale banners and posters is seen everywhere, exhibiting both the connotation and outlook of the city, and radiating artistic energy to ignite passion of the city. From the perspective of the operation of an international biennale, when a city has its own biennale, it means this city has become an entry in the global catalog of artistic attractions, an upgrading and escalation of the city’s international reputation and artistic market, and in return the biennale has become a charming artistic brand and symbol of the city.

Besides its academic characteristic, another important feature of Dafen mode is its cultural compatibility and practicality, giving the visitors a time-space to enjoy art to the fullest extent. Still in the midst of the COVID-19, this time-space offers an exceptional opportunity for us to appreciate the latest trend of oil painting in the international art circle and admire the contemporary interpretations of art, where cultural landscape, artistic painting and social development are intensely interconnected and interpenetrated.

Being an active cultural ecology, Shenzhen has always been free in its artistic orientation and positioning. In the reform and opening up era where changing is the eternal topic, this city is attracting visitors with its artistic atmosphere and endless output and creation, continuously building the sense of beauty and sense of reality. Today, Dafen Biennale has become a reservoir for the interconnected development of contemporary art in Shenzhen, contributing to mutual integration and accomplishment of urban art and culture.

The 2022 Dafen International Oil Painting Biennale has gradually formed a unique feature and frame in its operation. Under the theme of “Connectivity & Development”, with the municipal government’s support for promoting diversified development, the public offering of art services at the exhibition hall has been improved to a professional level of exhibition, reflecting an inclusive merging and integration between humanistic feelings, urban life and artistic ecology, significantly highlighted the theme of the times, making this year’s biennale an amazing event for both the participants and the audience, who will find it a concentrated exhibition of contemporary art creation and unique urban culture, a platform for substantial and in-depth international art exchanges, and a showcase of the cultural inclusiveness of Shenzhen to the world.

Urban iteration is not only about facilities, it’s more about avant-garde ideas and modes. Dafen Biennale has become an integral force of the city contributing to the construction of a unique urban landscape, a place for interconnection between oil painting and art media, between language and ideology, a place for integration between artistic innovation and urban development, and a place of harmony between art shows and public participation, all of which proving the theme of the Biennale is completely in line with the urban redevelopment plan.

As a city hosting an international art exhibition, Shenzhen has the artistic soil and spirit suitable for the theme and frame of the Biennale. The sustainable and successful hosting of Dafen Biennale in the past years and this year will definitely bring positive effects, including enhanced urban image and influence, improved cultural benefits, and the increasing potential for Shenzhen to become a new center for international art and culture. The Biennale exhibition of numerous oil paintings is a meaningful effort for depicting and facilitating the construction of the cultural circle in the Greater Bay Area, pushing forward the exchanges and cooperation between the Greater Bay Area and international fine art galleries, and promoting the interconnected development of urban culture and art in the Greater Bay Area and in the world.

With the artistic concept of “Connectivity & Development” for 2022, Dafen Biennale aims to break cross-boundary separation and facilitate cross-boundary integration. Having built a broad platform for international art exchanges, with urban culture as the root and the proximity of the Greater Bay Area as the advantage, and by telling amazing stories about contemporary oil paintings associated with China and the world, the Biennale will help reach artistic consensus in the new era.

With nature reserve of contemporary art and a relentless pursuit for aesthetic value, this year’s biennale represents the artistic visions and humanistic feelings of Shenzhen City, the Shenzhen-style Biennale is becoming an increasingly mature event and forum on the Chinese and even the international art stage!

 Part of Works