大海啊故鄉(xiāng)

社會(huì)賦予藝術(shù)家的任務(wù)，是讓他們盡量從表現(xiàn)美和創(chuàng)造美的角度出發(fā)，更多的用觸及心靈的聲、色和形來提升人們真、善、美的情感。這必須是一種遠(yuǎn)離說教的、致力于“大美”的行為。 

當(dāng)畫家不再滿足于被動(dòng)的反映客觀對(duì)象，繪畫就逐漸走向具有主觀表現(xiàn)意圖的、看起來更富形式感及抽象意味的風(fēng)格。這種主觀的將畫面用合適的色彩或線條進(jìn)行構(gòu)圖和布置的過程，本身就有著思想性。

——黃俊清

哈爾濱東郊

流彩

讀之喜由心生，一份持之不變的藝術(shù)真誠，簡單又豐富多彩的美，構(gòu)成于天然又抒畫于暢然，色彩常有精妙之處，透明而有層次與深度，可贊可賀可喜！心豁然而靜穆，意雋永而俊清；保持人格之原態(tài)，君子務(wù)本，行之當(dāng)高遠(yuǎn)。  

——洪瑞生

黃俊清的水彩畫，淡雅清新，不經(jīng)意間透出了學(xué)識(shí)和修養(yǎng)。很好地發(fā)揮了水與彩兩方面的語言特點(diǎn)，輕松明快簡捷律動(dòng)，漸具風(fēng)格。

  ——李全淼

色彩構(gòu)成突破了完型，筆法簡練，不媚俗，趣味純正。再積累數(shù)年，必有成果。 

——丁一林

畫如其人，干凈整潔，文雅清心。

——童炎

My first impression when I enjoyed Huang Junqing’s paintings was his inspiration must come about instantly and creative work finished at a stretch. The sceneries have been endowed with freshness, natural grace, transparency and radiance. In the watercolours, the painter portrays water with facility, making the scenery full of poetic quality and comfort. Similarity and un-similarity coexist. Accidental scene shows the sharpness and meticulosity of the painter in discovering concurrence of nature and art. 

In my opinion, the charm in Huang Junqing’s paintings does not only lie in his eyes and the height of art his hands have reached, but more importantly, the mental state, temperament and attitude as shown at his spiritual level. Looking at the “source of river”, Huang Junqing’s exploration in painting roots in his love for nature and personal experience as well as his “bright” attitude towards livelihood and life. 

——Qin Jian