展覽名稱｜EXHIBITION
?????：劉昊天-李承鉉雙個展 ｜ ?????：Haotian Liu & Cullinan.Lee Dual Solo Exhibition
藝術(shù)家｜Artist
劉昊天 | Haotian Liu
李承鉉 | Cullinan.Lee
展覽時間｜Time
2024.11.05 - 2024.11.30
展覽地點｜Venue
韓國全羅南道雅川美術(shù)館 | Address: 406-1, Achen Museum of Fine Arts, Jeollanam-do, South Korea
劉昊天的“浮生系列”是其寫實油畫階段探索的又一全新成果，以“浮生”為主旋律的一批帶有“塑料薄膜”的作品，為我們展現(xiàn)當(dāng)下社會在飛速發(fā)展之下，人類在大環(huán)境面臨的種種壓力，由之帶來對于社會、環(huán)境等問題的思考。有喜有憂，有笑有淚，我們?nèi)缤涣m埃，在宇宙之間如此渺小但又不可替代。浮生若夢，浮生未歇，人生始終沒有定論，我們可以虛度和享受時光，進(jìn)而試圖尋找人生真正的價值。 
劉昊天的油畫運用古典寫實技法描繪當(dāng)代“景觀”，浮生系列”以人物、靜物的描繪為主，且每一幅都在主體物之上覆了一層“塑料薄膜”，這是藝術(shù)家精心構(gòu)思和觀念生發(fā)的產(chǎn)物，極具當(dāng)代意味。人物為主的幾幅作品中均以少女作為畫面主體，從她們的眼神中，可以看到一絲迷茫、驚恐、疲累、壓抑，并且她們被一層不透氣的“塑料薄膜”遮蓋住面部和身體，再加上藝術(shù)家對畫面人物手勢的刻畫，表現(xiàn)出少女想要掙脫或即將掙脫束縛的感覺。這就像一個面具，人們帶著面具生活總是很壓抑；這也像一張無形的網(wǎng)，當(dāng)代社會的極速發(fā)展下人們的壓力倍增，很多社會問題凸顯。靜物為主的幾幅作品中，以當(dāng)代流行的卡通形象的選取是其特色之處，如《浮生系列·青春物語》中的靜物以卡通玩偶、明信片、紀(jì)念物為主，這些帶有懷舊意味的靜物將我們帶回青春歲月，靜物上覆蓋的“塑料薄膜”更體現(xiàn)這些靜物是珍藏著青春記憶。但同時，也讓我們看到像“塑料薄膜”這種現(xiàn)代產(chǎn)物在給人類帶來便利的同時也有可能產(chǎn)生環(huán)境污染，同樣讓我們思考人類與自然環(huán)境的關(guān)系問題。在形式語言表現(xiàn)上，劉昊天對人物或靜物運用寫實主義手法刻畫，扎實且飽滿，充分展現(xiàn)藝術(shù)家的情感世界以及對當(dāng)代社會問題的思考。藝術(shù)家對于畫面構(gòu)圖設(shè)計也很有想法，截取人物最中心部分作主體，以人物表情作整幅作品情感基調(diào)的外顯。畫面背景部分，藝術(shù)家通常以黑色或深色打底，有的配以淺色襯布，與主體物的色彩相和諧。劉昊天對于光影的處理很嫻熟，人物面部的光和“塑料薄膜”的光搭配的恰到好處，使得整個畫面協(xié)調(diào)流暢。 劉昊天的“浮生系列”是其寫實油畫階段探索的又一全新成果，以“浮生”為主旋律的一批帶有“塑料薄膜”的作品，為我們展現(xiàn)當(dāng)下社會在飛速發(fā)展之下，人類在大環(huán)境面臨的種種壓力，由之帶來對于社會、環(huán)境等問題的思考。有喜有憂，有笑有淚，我們?nèi)缤涣m埃，在宇宙之間如此渺小但又不可替代。浮生若夢，浮生未歇，人生始終沒有定論，我們可以虛度和享受時光，進(jìn)而試圖尋找人生真正的價值。 劉昊天的油畫體現(xiàn)著其創(chuàng)作的發(fā)展是內(nèi)在的、自律的、進(jìn)步的，其思想變化、創(chuàng)作態(tài)度和趣味反映在藝術(shù)表現(xiàn)上。在觀看他的作品時，能夠引發(fā)我們思考人性的價值和人性的局限，這或許就是劉昊天創(chuàng)作的現(xiàn)實立場和責(zé)任。他從不同角度觀察和凝視生活，以當(dāng)代的眼光和審美將這些細(xì)節(jié)呈現(xiàn)，讓我們體會生命的清醒和通透，還有靈魂的自由和浪漫。Liu Haotian's oil paintings use classical realistic techniques to depict contemporary "landscapes". The "Floating Life Series" mainly depicts figures and still lifes, and each of them is covered with a layer of "plastic film" on the main object. This is the product of the artist's careful conception and concept generation, and is very contemporary. In several works that are mainly figures, girls are the main subjects of the picture. From their eyes, you can see a trace of confusion, fear, fatigue, and depression, and their faces and bodies are covered by a layer of airtight "plastic film". Coupled with the artist's portrayal of the gestures of the figures in the picture, it shows that the girls want to break free or are about to break free from the bondage. It's like a mask. People always feel depressed when they live with masks; it's also like an invisible net. Under the rapid development of contemporary society, people's pressure has doubled, and many social problems have emerged. In several works that are mainly still lifes, the selection of contemporary popular cartoon images is its characteristic. For example, the still life in "Floating Life Series·Youth Story" is made of cartoon dolls, postcards, and souvenirs. These nostalgic still lifes bring us back to our youth, and the "plastic film" covering the still lifes further reflects that these still lifes are treasured memories of youth. But at the same time, it also allows us to see that modern products like "plastic film" may also cause environmental pollution while bringing convenience to humans, and also makes us think about the relationship between humans and the natural environment. In terms of formal language expression, Liu Haotian uses realism to portray characters or still lifes, which is solid and full, fully showing the artist's emotional world and thinking about contemporary social issues. The artist also has ideas about the composition design of the picture, taking the most central part of the character as the main body, and using the character's expression as the manifestation of the emotional tone of the whole work. For the background part of the picture, the artist usually uses black or dark as the base, and some are matched with light-colored lining cloth, which is in harmony with the color of the main object. Liu Haotian is very skilled in handling light and shadow, and the light on the character's face and the light of the "plastic film" are matched just right, making the whole picture harmonious and smooth.Liu Haotian's "Floating Life Series" is another new achievement of his exploration in the realistic oil painting stage. A group of works with "plastic film" with "floating life" as the main theme show us the various pressures faced by human beings in the environment under the rapid development of the current society, which brings us to think about social and environmental issues. There are joys and sorrows, laughter and tears. We are like a speck of dust, so small but irreplaceable in the universe. Floating life is like a dream, floating life is not over, life is never finalized, we can waste and enjoy time, and then try to find the true value of life.Liu Haotian's oil paintings reflect that the development of his creation is internal, self-disciplined and progressive. His ideological changes, creative attitudes and interests are reflected in artistic expression. When watching his works, we can think about the value and limitations of human nature. This may be the realistic position and responsibility of Liu Haotian's creation. He observes and gazes at life from different angles, presents these details with contemporary eyes and aesthetics, and allows us to experience the clarity and transparency of life, as well as the freedom and romance of the soul.
劉昊天-《浮生系列11》-30cmx45cm-木板油畫- 2024
劉昊天-《浮生系列10》- 30cmx45cm-木板油畫- 2024
劉昊天-《浮生系列8》-布面油畫-35x65cm-2024
劉昊天-《浮生系列4》-40x40cm-布面油畫- 2022
劉昊天-《浮生系列2》-35cmx25cm-木板油畫- 2022
劉昊天-《浮生系列之距離》-35cmx25cm-木板油畫- 2022
劉昊天-《浮生系列-青春》-180cmx110cm-布面油畫- 2024
劉昊天（2024青年藝術(shù)100年度展入圍藝術(shù)家），男 ，1994年生于山西太原，美術(shù)博士研究生在讀，主要研究方向：架上寫實油畫創(chuàng)作，歐洲古油畫修復(fù)與材料制作。畢業(yè)于利沃夫國立美術(shù)學(xué)院，曾赴德國、法國、烏克蘭、意大利、波蘭、韓國、奧地利、比利時、瑞士等國家進(jìn)行考察學(xué)習(xí)。曾獲國家藝術(shù)基金2022、2023、2024年藝術(shù)人才培養(yǎng)資助，2022年作品入選月球法典“北極星收藏”（近50年來人類首次將當(dāng)代藝術(shù)通過格里芬月球著陸器永久放置在月球上的藝術(shù)計劃）。現(xiàn)為中國文化管理協(xié)會藝術(shù)家委員會理事、中匈美術(shù)家協(xié)會理事、吳冠中藝術(shù)館特聘畫家、李可染畫院青年畫院院聘畫家、美國肖像畫協(xié)會會員、美國聯(lián)合藝術(shù)家協(xié)會會員、山西省美術(shù)家協(xié)會會員、山西省油畫學(xué)會會員、歐美同學(xué)會會員等。
個展2024?????-劉昊天-李承鉉雙個展，雅川美術(shù)館，韓國
2021“寂靜時光”-劉昊天個展，切爾卡瑟藝術(shù)博物館，烏克蘭靜·觀-劉昊天個展，基洛夫格勒藝術(shù)博物館，烏克蘭
2019與相的咫尺之間-劉昊天個展，798共同藝術(shù)中心，北京
